If you hold a digital camera steady for a minute or so (in Movie mode), you get a still photograph with movement in it. Photographers have been “simulating” movement for a hundred years by registering blurs of more or less distinctness. Now they can get the detail and the movement at the same time, or during the same time–and time itself becomes a dimension of the photograph.
Blogroll
-
Recent Posts
- Approaching Toronto, pre-winter
- Poets, Occupists, NaNoWriMo-ists
- The Poets and the Occupists, part 2
- The Poets and the Occupists
- DM Fraser responds to Margaret Atwood in 1974
- Mr. Tubesteak and the School Teacher
- What is a cultural magazine?
- Word Cloud
- Father, dinner, spiritual machine, excremental
- Short day, long night
- Digested!
- The Coincidence Problem
- Marilyn enters Banff
- Baby Collection
- Vienna, Pangnirtung, Remembrance
Categories
- animus (1)
- big time (5)
- coincidence (1)
- magazines (6)
- movies (2)
- photography (2)
- poetry (2)
- Uncategorized (11)
Archives
- January 2012 (3)
- December 2011 (1)
- July 2011 (1)
- May 2011 (1)
- February 2011 (1)
- January 2011 (1)
- December 2010 (2)
- October 2010 (2)
- September 2010 (3)
- March 2010 (1)
- February 2010 (5)
- January 2010 (3)